Thursday, May 28, 2009

The Mirror (1975)



Memorial Day 2009, George sits down on the Blue Line to O'Hare, powers on Lenovo Thinkpad T61. As the processor churns, fingers dust screen edges, pixeling thumbprint auroras.

Earbuds plugged in canals, horn-rimmed lenses shine on scrolling through iTunes U2, REM, ABBA. A glance down Business Week Market Report podcasts--May 21 delete, May 22 delete.

Tab through balloon diagrammed slides of "Ilab Agenda". Open Outlook, begin letter: "Nils, The powerpoint looks good. A few small suggestions..."

Using the reflection in dark tunnel's window, I snap a photo.

The train elevates from subway to Damen's rain dripping platform, Bucktown buzzing.

Tuesday, May 19, 2009

Holes (2003)



Racism defines U.S. carceral institutions past and present. White people shower orange blossoms on Sonoran sadist Joe Arpaio, burying their criminal complicity with fulminations against "country club like prisons with cable TV and weight rooms" over suburban backyard barbecues fired by monstrous water welfare projects anhydrating the ecology of Quechan, Hopi, Cocopah lands.

The fingers of children quiver, eyes glisten at the opening of a treasure chest, gift of Spanish swords goring Arawak chests; genocide's jewels.

Tuesday, May 12, 2009

The Wind Will Carry Us (1999)



باد ما را خواهد برد

در شب كوچك من افسوس
باد با برگ درختان ميعادي دارد
در شب كوچك من دلهره ويرانيست
گوش كن
وزش ظلمت را ميشنوي؟
من غريبانه به اين خوشبختي مي
نگرم
من به نوميدي خود معتادم
گوش كن
وزش ظلمت را ميشنوي ؟
در شب اكنون چيزي مي گذرد
ماه سرخست و مشوش
و بر اين بام كه هر لحظه در او بيم فرو ريختن است
ابرها همچون انبوه عزاداران
لحظه باريدن را گويي منتظرند
لحظه اي
و پس از آن هيچ .
پشت اين
پنجره شب دارد مي لرزد
و زمين دارد
باز ميماند از چرخش
پشت اين پنجره يك نا معلوم
نگران من و توست
اي سراپايت سبز
دستهايت را چون خاطره اي سوزان در دستان عاشق من بگذار
و لبانت را چون حسي گرم از هستي
به نوازش هاي لبهاي عاشق من بسپار
باد ما را باخود خواهد برد
باد ما را باخود خواهد برد
-- فروغ فرخزاد

The Wind Will Carry Us Away

In my small night, alas
the wind has a rendezvous with the leaves of trees
In my small night rests the fear of ruin

Listen...
Do you hear the blowing of the darkness?
I look at this good luck like a stranger
I am accustomed to my hopelessness
Listen...
Do you hear the blowing of the darkness?

In the night now something is happening:
the moon is red and disturbed
and above this roof, which at any moment might fall,
the clouds like the crowds of mourners
seem to await the moment of rain

A moment
and after that-nothing.
Behind this window the night is trembling,
and the earth
stands still in its course
Vague things lie behind this window,
you and I, uneasy

O you are green all over,
put your hands like a burning memory in my loving hands
and entrust your lips like a warm sense of life
to the caresses of loving lips
The wind will carry us away with it
The wind will carry us away.
--Forough Farrukhzad
(translated by Iraj Bashiri)

Friday, May 8, 2009

Intolerable Cruelty (2003)



Hot wind from open window of battered Ford cargo van hits dry red flaky patch on cheek, sweat oozing from scattered age spots on crescent haired skull. In a Z4 convertible, a couple pulls adjacent at the light. Salt and pepper hair breezes above Armani shades, stubble square jaw, Brioni linen shirt. His companion, ten years younger, lets loose hair caress thin shoulders of sun bronze skin in bikini top, lips glossing a smile. You drag and drag on the Carlton, but the taste of air doesn't extend.

To call this a "romantic comedy with bite" completely misleads: révélation absolument noir comme No Country for Old Men, frères Coen suite.

Wrapped on styrofoam tray beneath plastic, blue pickled chicken necks twist to closed reptile eyes.

Hollywoodland lashes blinker to borderland swill feeding Lifetime Channel dreary backyard swimming poolboy pecs.

The silent instinct of a cattle gun punches a hole through the brain of future dinner at In and Out, blood congealing in an El Paso alley.

Rottweiler pining / shotgun loving share a defining commitment with Bvlgari 18k white gold full pavé diamond band.

Tuesday, May 5, 2009

The Way Home (2002)



From The Grey City Journal, September 1991:

I was lying on my sleeping bag in the room of my new empty apartment in San Diego and the phone woke me. "Grandma died," mom said and the tears immediately started to choke me, and I didn't say anything. "Try not to feel too bad about it."
"When?" I asked, and "What happened?" I didn't want to cry I just wanted to know what happened. "When you told me she went to the hospital I didn't think it was serious."
"Well I didn't either—I talked to her last night and she said she was feeling a little better."
"What happened?"
"I'm not sure—she was sick. There's nothing I can do about it now."
"I know that, I just want to know what happened."

The fact that my financial aid was late and after two weeks of effort I still had not found a roommate for my 885$ a month apartment—financial worries beyond anything before in my life—these melted. The enormous shock of grandma's death brought intense reflection on my tears. As much as I might have wanted to think how lucky grandma was to live in an expensive care facility and how her death at age 85 is insignificant in the face of the world's suffering, I can only escape my past so much. Though I have overturned political and cultural conservatism, more subtle traits have left their imprint. My tears were the same tears that would creep into grandma's eyes each time my mother and I left her. I can remember even as a small child seeing grandma's grand eyes turn red with tears as we began to leave.

Grandma worried a lot: it would not be incorrect to say she worried herself to death. She worried about her sisters, her daughters, her grandchildren. Her letters to me were wonderful: she had a great deal of trouble writing with her arthritis so they were usually very short with a few sentences of concern and advice, and she always enclosed a few "Family Circus" comic strips which she clipped from the newspaper. My trip to Europe worried grandma a great deal as she sent me letters warning me to be careful, for "the world is a dangerous place." When I told her I hoped to meet some French friends in order to improve my French, she wrote me--as if worried I might forget how to speak English--that I should meet some Americans.

It should be noted that my grandmother was the oldest of three daughters and remembers her mother taking part in rallies for women's suffrage, as she said, "People just knew it was right." Outside of the great amount of work done for her church—my grandfather was a pastor—the most distinguishing accomplishment of my grandmother was the transcribing of her great grandfathers letters sent back to his family in Michigan as he pursued gold in California. Now part of the University of Michigan archives, grandma spent perhaps half her life reading the difficult script and converting it into some 500 typewritten pages. Interestingly, grandma once told me her grandmother had also kept a diary that filled many volumes, but it had been discarded by the family.

When I was in Chicago for the summer I tried to uncover my roots there. Grandma studied religious education and met my grandfather at Northwestern. When I asked her over the phone about it she insisted it had been such a while she knew nothing of Chicago nowadays. I tried to make clear that I was interested in her recollections of when she had lived there. "Oh Paul," she said, "There's the Science Museum of course, and oh there's so much to see but you know I've been gone for such a long while I couldn't tell you. Well you know there's the Jane Addams Hull House and the Chicago Temple Building—,"she changed to a serious tone, "there's a great lot of things you must see now Paul."

I had talked to Grandma the week before she died to tell her I had arrived safely in San Diego and was settling in. She had been worried about me. "You don't have to worry about me," I told her.

I gave her my phone number and we repeated it three times back to each other. Then she said, "I don't know if I can call you I have trouble with the time difference and all."
"You can call me anytime grandma."
"Oh I can," I heard her smile.
"I love you grandma."
"I love you too Paul."
"I'll talk to you soon."
"Goodbye."

When thinking on the liveliness she had in her voice up to her last days it is hard to imagine her gone. There could be no sweeter or gentler a grandmother.
I miss Chicago. I'm going to miss grandma.

Friday, May 1, 2009

Rebels of the Neon God (1992)



Make less friends, get more done.
Make less friends, and you'll get more done.

Make less friends, have more sex.
Make less friends, and you'll have more sex.

To be twenty, wet and ready...
perpetually sticky
armpit island,
clothes drop
on TV sweat.

Quiet muggy soreness.
Tropical night moves
slippers on puddling tiles.

Let go joystick nihilism.
C'est vraiment dégueulasse.

or

Chill dry comfort
promising
Sils Maria chalet.

Alpine limen,
console eternal
failing devotion.

Pirouetting glacial cream cliffs
climb every cliché
à bout de souffle.